JUN HUANG
Nation of Speed (2022)
Smithsonian's National Air and Space Museum
Type: Public Screening & Exhibition Installation
Role: 3D Artist
Scope: Modeling / Texturing / Rigging / Animation / VFX / Ligthing / Rendering
Nation of Speed is the signature animation for the Nation of Speed gallery at the Smithsonian’s National Air and Space Museum. The film plays as an immersive, large-scale projection at the entrance to the exhibition, introducing visitors to a wide range of high-performance machines—aircraft, rockets, race cars, and experimental vehicles—and setting up speed as the gallery’s central theme. Rather than explaining each object in detail, the piece creates an immediate, visceral impression of motion and acceleration before visitors encounter the artifacts themselves.
Exhibition Context
Designed for continuous playback in a gallery setting, the loop is built to be readable for visitors who encounter it while walking, pausing briefly, or re-entering the sequence mid-way. Composition and contrast prioritize long-distance legibility, while the pacing avoids overloading attention during repeat viewing. The result functions as both an atmospheric anchor and a thematic guide—introducing “speed” as an experiential idea rather than a single linear story.
Asset & Motion System
All assets were modeled to closely match historically existing vehicles and machines—racing cars, buses, aircraft, experimental craft, and rockets—reconstructed with attention to proportion, silhouette, and recognizable mechanical features. Look development focused on maintaining material clarity and stable highlights under motion so forms remain readable at exhibition viewing distance. Motion was treated as a coordinated system across shots: mechanical rhythms, reveal timing, and camera emphasis were choreographed to communicate acceleration and engineering momentum while keeping the loop coherent through repeated playback.
Visual References
The visual language is grounded in archival imagery and engineering materials associated with the museum’s collection. Historic photographs inform proportion and silhouette, while blueprint-like linework and technical markings inspire graphic structure and transitions. These references are not treated as literal replicas; instead, they are translated into a cohesive set of cues—form, material, and motion—that communicate innovation and engineering momentum at a glance.
Real-Time Pipeline, Offline Output
A real-time Unreal Engine workflow enabled rapid iteration on lighting, camera timing, and shot continuity, making it possible to validate rhythm and readability quickly. Final deliverables were rendered as high-resolution offline outputs to ensure stable, repeatable playback in a museum environment. This hybrid approach combines the speed of real-time look development with the reliability and image quality required for long-running exhibition display.